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But when he begins inquiring about her, it puts their relationship at risk. In a social context deteriorated by a countrywide economic crisis, the life of several people will be turned upside down after they meet Cecile, a character who symbolizes desire.

A deadly car crash sets off three parallel stories of women at crisis points, faltering behind the doors of the same, plain Vienna apartment block.

A bored nurse with a stable, comfortable Although deeply in love with her boyfriend - and indeed sleeping in the same bed with him - a schoolteacher cannot handle the almost complete lack of intimacy he will allow.

Increasingly frustrated, she gradually finds her sexual appetites leading her into ever more risky situations, including a developing one with the headmaster.

I was very confused at the end of 'Romance' as to whether I liked it or not, and whether I thought it was a good film or not.

She was especially with the help of a translator very interesting and articulate - whether one agreed with her or not - and I found the film a valuable commentary on her thoughts rather than the other way round.

Gender issues? The female central character goes through a number of extreme sexual encounters and eventually finds some sense of identity unrelated to her sense of being part of a sexual partnership - although the struggle to find that identity has necessitated exploring her sexual desire.

The other issue is censorship, as Breillat has something of a mission to push back censorship; this is related to her philosophical take on sexuality however rather than abolishing censorship for the sake of doing so alone.

That which sexually disgusts us is twinned to that which sexually uplifts - the difference is not in the type of act but in the context - all of which is an extended metaphor on censorship itself.

Breillat claims that the acts we find offensive in real life are also the acts we find offensive in images, an idea which in itself can lead to some self-awareness.

But to Breillat, sexuality has become stereotyped in films. Show she wants to explore the boundaries and show that those boundaries, in themselves, are not good or bad, just as many acts, stereotyped as disgusting or wonderful, are not so in themselves but only in how we make them.

The degree to which she achieves this in 'Romance' may be the subject of debate for a long time to come. I hope I get the chance to see and study some of her other films.

I hope the film is not cut by the censors. As to whether it is a great movie, I am less sure after a lot of discussion and thought I'm slightly more inclined to say it is than it isn't though!

As I am gradually convinced of the director's unshaking artistic integrity I am more willing to put in the effort to understand her rather complex thought.

As her film is her principle expression of this thought I have ranked it quite highly - largely for what she attempts, with whatever success, than what she achieves.

As Sartre pointed out, success is more in the journey than the achievement. Sign In. Keep track of everything you watch; tell your friends.

Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide.

External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits.

Alternate Versions. Rate This. Frustrated by the lack of intimacy in her relationship, a young schoolteacher goes through a series of intimidating and often violent sexual partners.

Director: Catherine Breillat. Writer: Catherine Breillat scenario and dialogue. Available on Amazon. Added to Watchlist. From metacritic.

Major Comic-Con Home News. Naked Genre Movies. New French Extremity. Share this Rating Title: Romance 5. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Edit Cast Cast overview, first billed only: Caroline Ducey Robert Rocco Siffredi Paolo Reza Habouhossein Man on stairs Ashley Wanninger Ashley Emma Colberti Desperados Jul.

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Although deeply in love with her boyfriend - and indeed sleeping in the same bed with him - a schoolteacher cannot handle the almost complete lack of intimacy he will allow.

Increasingly frustrated, she gradually finds her sexual appetites leading her into ever more risky situations, including a developing one with the headmaster.

I was very confused at the end of 'Romance' as to whether I liked it or not, and whether I thought it was a good film or not.

She was especially with the help of a translator very interesting and articulate - whether one agreed with her or not - and I found the film a valuable commentary on her thoughts rather than the other way round.

Gender issues? The female central character goes through a number of extreme sexual encounters and eventually finds some sense of identity unrelated to her sense of being part of a sexual partnership - although the struggle to find that identity has necessitated exploring her sexual desire.

The other issue is censorship, as Breillat has something of a mission to push back censorship; this is related to her philosophical take on sexuality however rather than abolishing censorship for the sake of doing so alone.

That which sexually disgusts us is twinned to that which sexually uplifts - the difference is not in the type of act but in the context - all of which is an extended metaphor on censorship itself.

Breillat claims that the acts we find offensive in real life are also the acts we find offensive in images, an idea which in itself can lead to some self-awareness.

But to Breillat, sexuality has become stereotyped in films. Show she wants to explore the boundaries and show that those boundaries, in themselves, are not good or bad, just as many acts, stereotyped as disgusting or wonderful, are not so in themselves but only in how we make them.

The degree to which she achieves this in 'Romance' may be the subject of debate for a long time to come. I hope I get the chance to see and study some of her other films.

I hope the film is not cut by the censors. As to whether it is a great movie, I am less sure after a lot of discussion and thought I'm slightly more inclined to say it is than it isn't though!

As I am gradually convinced of the director's unshaking artistic integrity I am more willing to put in the effort to understand her rather complex thought.

As her film is her principle expression of this thought I have ranked it quite highly - largely for what she attempts, with whatever success, than what she achieves.

As Sartre pointed out, success is more in the journey than the achievement. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew.

Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings.

External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This.

Frustrated by the lack of intimacy in her relationship, a young schoolteacher goes through a series of intimidating and often violent sexual partners.

Director: Catherine Breillat. Writer: Catherine Breillat scenario and dialogue. Available on Amazon. Added to Watchlist. From metacritic.

Major Comic-Con Home News. Naked Genre Movies. New French Extremity. Share this Rating Title: Romance 5. Use the HTML below.

You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Caroline Ducey Robert Rocco Siffredi Paolo Reza Habouhossein Man on stairs Ashley Wanninger Ashley Emma Colberti Charlotte Fabien de Jomaron Claude Carla Model Pierre Maufront Photographer Antoine Amador Ela deseja O Sol de Riccione Jul.

IMDb: 5. A Fotografia Feb. Um Crime para Dois May. Te Amarei Para Sempre Aug. IMDb: 7. Drama Fantasia Romance.

Desperados Jul. Titanic Nov. Drama Romance. Trama Fantasma Dec. O Guarda-Costas Nov. A Vida em Si Sep. A Fera Jan.

Sem Prada Nem Nada Jan. As Ondas Nov. Assistir As Ondas — Online Dublado e Legendado, Dois jovens casais navegam o campo minado emocional de crescer, amadurecer e se apaixonar.

Um Dia Mar.

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